Life Before Her Eyes, The (2007)

Director Vadim Perelman loves a good tragic novel. In 2002 he adapted Andre Dubus' small scale tragedy House of Sand and Fog. Though a first time feature director he exhibited the sure hand and classical eye of a veteran director. His latest feature, The Life Before Her Eyes is another adaptation of a tragedy on a grander scale.

Set against the backdrop of a bloody school shooting, The Life Before Her Eyes is an examination of the guilt of survivors. And while it is an often moving and reflective drama, there is a device employed throughout that negates some of what is very good about the rest of the film.

Two girls are chatting away in a high school ladies room. In the distance we hear screams and what sounds like gunfire. Dianna (Evan Rachel Wood) believes it's just a prank, Maureen (Ava Murri) doesn't think so. As it gets closer, the sound of screams and gunfire is unmistakable and soon the door opens. In walks the killer, a fellow student, offering a horrifying choice. The girls are to choose which of them will die.

15 years later, we know who lived. Dianna (Uma Thurman) is now in her early 30's. She has married a college philosophy professor (Brett Cullen) and has a beautiful 8 year old daughter named Emma (Gabrielle Brennan) who has the same rebellious streak her mom always had. Dianna herself is now a teacher, she teaches art and has a particular affinity for Gaugin.

Of course, not all is as it appears. As the 15th anniversary of the school shooting approaches, Dianna's survivor guilt is causing her to have visions. She see's what she thinks is her favorite teacher who was killed that day. She see's her friend Maureen. She even see's the killer. The visions don't necessarily lead anywhere.

Throughout The Life Before Her Eyes we cut back to 15 years ago and the days leading up to the killings. Dianna was not a great student. A free spirit, she preferred smoking pot and experimenting sexually with older men to school. Maureen on the other hand is a devout christian and a good student with a bright future.

The table is set for the tragedy but director Vadim Perelman dawdles ever so slightly. Watch as he obsesses about details like the rain, thunder, philosophy, the conscience, the imagination, the paintings of Gaugin. Worthy topics but why are we being distracted from the central story. The dialogue about weather and the mind and paintings is not bad but you can sense a pattern developing and you shouldn't if the movie were working.

Evan Rachel Wood is a wonderfully expressive young actress who can tell a whole story with her face. Her soulful eyes carry sadness beyond her years while her lips are far too inviting for someone so young. Her work in The Life Before Your Eyes goes along way toward overcoming the problems of the script and the plot devices.

Uma Thurman is an ethereal beauty with talent to spare. It's a shame she isn't given more to work with her. We want to connect with her guilt, her sadness. Her conflict is compelling. She has the life of her dreams and it came at the expense of a best friend who was killed instead of her. That is compelling drama. Unfortunately, in the few moments we seem to connect with Thurman we are sent back in time for another flashback. At a mere 88 minutes, there isn't enough time for both of these terrific actresses.

Final

Then there is that annoying plot device that in the end takes away the pay off and catharsis we long for. It's not a devastating device, the performances of these two amazing actresses are far too good for me not to partially recommend The Life Before Her Eyes, but this could have been a far more emotionally satisfying film.